The poetry thread

[stephen w]

Originally Posted by Herzeleide

Predictable, but:

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes;
Nothing of him that does fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong,
Hark! Now I hear them – Ding-dong, bell.

A lifelong favourite! This is also predictable, but never mind, also from The Tempest..

be cheerful, sir.
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Ye all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep

[birabiro]

All the quick notes
Mozart didn’t have time to use
before he entered the clould-boat

are falling now from the beaks
of the finches
that have gathered from the joyous summer

into the hard winter
and, like Mozart, they speak of nothing
but light and delight

though it is true, the heavy blades of the world
are still pounding underneath.
And this is what you can do too, maybe

if you live, simply and with a lyrical heart
in the cumbered neighborhoods or even,
as Mozart sometimes managed to, in a palace,

offering tune after tune after tune,
making some hard-hearted prince
prudent and kind, just by being happy.

Mary Oliver

[stephen w]

Originally Posted by birabior

All the quick notes

are falling now from the beaks
of the finches
that have gathered from the joyous summer

Lovely lines. . thankyou

[stephen w]

Where the pool unfurls its undercloud -
There she goes.

And through and through
The kneading tumble and the water-hammer.

If a trout leaps into the air, it is not for a breather.
It has to drop back immediately

Into this peculiar engine
That made it, and keeps it going,

And that works it to death –
there she goes

Darkfish, finger to her lips,
Staring into the afterworld.


Ted Hughes

[fivelive]

Tall Nettles

Tall nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone:
Only the elm butt tops the nettles now.

This corner of the farmyard I like most:
As well as any bloom upon a flower
I like the dust on the nettles, never lost
Except to prove the sweetness of a shower.

Edward Thomas

[stephen w]

Originally Posted by fivelive

Tall Nettles

Tall nettles cover up, as they have done
These many springs, the rusty harrow, the plough
Long worn out, and the roller made of stone. . .

Edward Thomas

- beautiful lines. .

__________________________________________________ __________________________________________________ _____________________

[Dame Hilda Tablet]

A Martian Sends a Postcard Home

Craig Raine, 1979

Caxtons are mechanical birds with many wings
and some are treasured for their markings--

they cause the eyes to melt
or the body to shriek without pain.

I have never seen one fly, but
sometimes they perch on the hand.

Mist is when the sky is tired of flight
and rests its soft machine on the ground:

then the world is dim and bookish
like engravings under tissue paper.

Rain is when the earth is television.
It has the properties of making colours darker.

Model T is a room with the lock inside --
a key is turned to free the world

for movement, so quick there is a film
to watch for anything missed.

But time is tied to the wrist
or kept in a box, ticking with impatience.

In homes, a haunted apparatus sleeps,
that snores when you pick it up.

If the ghost cries, they carry it
to their lips and soothe it to sleep

with sounds. And yet, they wake it up
deliberately, by tickling with a finger.

Only the young are allowed to suffer
openly. Adults go to a punishment room

with water but nothing to eat.
They lock the door and suffer the noises

alone. No one is exempt
and everyone's pain has a different smell.

At night, when all the colours die,
they hide in pairs

and read about themselves --
in colour, with their eyelids shut.

[dancer1912]

A Question

A voice said, Look me in the stars
And tell me truly, men of earth,
If all the soul-and-body scars
Were not too much to pay for birth.

Robert Frost

[stephen w]

Remember how we picked the daffodils?
Nobody else remembers, but I remember.
Your daughter came with her armfuls, eager and happy,
Helping the harvest. She has forgotten.
She cannot even remember you. And we sold them.
It sounds like sacrilege, but we sold them.
Were we so poor? Old Stoneman, the grocer,
Boss-eyed, his blood-pressure purpling to beetroot
(It was his last chance,
He would die in the same great freeze as you) ,
He persuaded us. Every Spring
He always bought them, sevenpence a dozen,
'A custom of the house'.

Besides, we still weren't sure we wanted to own
Anything. Mainly we were hungry
To convert everything to profit.
Still nomads - still strangers
To our whole possession. The daffodils
Were incidental gilding of the deeds,
Treasure trove. They simply came,
And they kept on coming.
As if not from the sod but falling from heaven.
Our lives were still a raid on our own good luck.
We knew we'd live forever. We had not learned
What a fleeting glance of the everlasting
Daffodils are. Never identified
The nuptial flight of the rarest ephemera -
Our own days!
We thought they were a windfall.
Never guessed they were a last blessing.

So we sold them. We worked at selling them
As if employed on somebody else's
Flower-farm. You bent at it
In the rain of that April - your last April.
We bent there together, among the soft shrieks
Of their jostled stems, the wet shocks shaken
Of their girlish dance-frocks-
Fresh-opened dragonflies, wet and flimsy,
Opened too early.

We piled their frailty lights on a carpenter's bench,
Distributed leaves among the dozens-
Buckling blade-leaves, limber, groping for air, zinc-silvered-
Propped their raw butts in bucket water,
Their oval, meaty butts,
And sold them, sevenpence a bunch-

Wind-wounds, spasms from the dark earth,
With their odourless metals,
A flamy purification of the deep grave's stony cold
As if ice had a breath-

We sold them, to wither.
The crop thickened faster than we could thin it.
Finally, we were overwhelmed
And we lost our wedding-present scissors.

Every March since they have lifted again
Out of the same bulbs, the same
Baby-cries from the thaw,
Ballerinas too early for music, shiverers
In the draughty wings of the year.
On that same groundswell of memory, fluttering
They return to forget you stooping there
Behind the rainy curtains of a dark April,
Snipping their stems.

But somewhere your scissors remember. Wherever they are.
Here somewhere, blades wide open,
April by April
Sinking deeper
Through the sod- an anchor, a cross of rust.

Ted Hughes

[Dame Hilda Tablet]

To a Fat Lady Seen From the Train

O why do you walk through the fields in gloves,
Missing so much and so much?
O fat white woman whom nobody loves,
Why do you walk through the fields in gloves,
When the grass is soft as the breast of doves
And shivering sweet to the touch?
O why do you walk through the fields in gloves,
Missing so much and so much?

-- Frances Cornford




The Fat White Woman Speaks


Why do you rush through the field in trains,
Guessing so much and so much?
Why do you flash through the flowery meads,
Fat-head poet that nobody reads;
And why do you know such a frightful lot
About people in gloves as such?
And how the devil can you be sure,
Guessing so much and so much,
How do you know but what someone who loves
Always to see me in nice white gloves
At the end of the field you are rushing by,
Is waiting for his Old Dutch?

-- G.K. Chesterton