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How do I listen to Bach...?

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  #31  
Old 14-06-08, 07:57 AM
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Originally Posted by haydnguy View Post
I must hear Hogwood sometime! Pinnock is my only copy of the Brandenberg concertos and is one of my favorites in my collection. (small as it is! )
Last movement from 4. The word "dry" comes to mind. Recorded 1984.


(JS Bach, The Brandenburg Concertos, Michel Piguet, Sabine Weill, Jaap Schroder, The Academy of Ancient Music, Christopher Hogwood - Universal Classics)
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  #32  
Old 14-06-08, 10:01 PM
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I must hear Hogwood sometime! Pinnock is my only copy of the Brandenberg concertos and is one of my favorites in my collection. (small as it is! )
I recently got the version by Musica Antiqua Koln, after hearing it on the car radio - very exciting! and also like my original Jean-pierre Rampal & Amsterdam Baroque Orchestra/Ton Koopman version,
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  #33  
Old 15-06-08, 05:33 AM
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Thanks for the references, Stephen. I'll check them out!!
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  #34  
Old 15-06-08, 05:40 AM
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Stephen I've listened to samples of both works and I think I like the Koopman version better at first blush. Just my .02 cents.
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  #35  
Old 15-06-08, 06:31 PM
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i will try to present a shape that may be solve the problem ,
Music --> thoughts --> mind --> emotions -->
i present the emotions as the last 'thing' lets say so
when we listen music we are in a state of thinking mainly
after we support other , process lets say,
Bach it is my personal opinion catch in some how captures
our mainly lever intrument so in a way or another our state of thinking
fatelly goes with its not logic straight to listen that structure!
Either one or another i mean if someone its keen on melody or the beat
Bach succeeds to drive our mind into a specific direction
but at the end that result its well listened!


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  #36  
Old 16-06-08, 06:33 PM
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Originally Posted by haydnguy View Post
Stephen I've listened to samples of both works and I think I like the Koopman version better at first blush. Just my .02 cents.
What I like is to hear other people's reactions, but also really fascinated in why? (I always go for impossible questions)
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  #37  
Old 16-06-08, 06:35 PM
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Quote:
Originally Posted by Dimitris View Post
i will try to present a shape that may be solve the problem ,
Music --> thoughts --> mind --> emotions -->
i present the emotions as the last 'thing' lets say so
when we listen music we are in a state of thinking mainly
after we support other , process lets say,
Bach it is my personal opinion catch in some how captures
our mainly lever intrument so in a way or another our state of thinking
fatelly goes with its not logic straight to listen that structure!
Either one or another i mean if someone its keen on melody or the beat
Bach succeeds to drive our mind into a specific direction
but at the end that result its well listened!


amazing poem, feels like Stockhausen meets Bach (verbally I mean), thanks mate!
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  #38  
Old 17-06-08, 10:42 AM
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Originally Posted by stephen wainman View Post
What I like is to hear other people's reactions, but also really fascinated in why? (I always go for impossible questions)
Hi Stephen,
One of the things I first noticed about the Pinnock version when I first heard it was how clear it was and easy to hear the different parts being played. As far as the samples I heard of the two you were referring to, the Koopman sounds comperable to the Pinnock to me from what little I could hear off the sample. The first one you mentioned sounded faster than what I was used to on the Pinnock version. I think that's what I didn't like as much. Just different than what I was used to.
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  #39  
Old 19-06-08, 07:26 AM
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In my reading last night, I discovered that Pinnock recorded ANOTHER Brandendburg last year (07). It was performed by the European Brandenburg Ensemble. The review I read said it was an excellent recording but it didn't sound like it was enough to consider a new purchase.
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